According to a new study from the European Audiovisual Observatory, authored by Nicolas Edmery, the global theatrical animation industry has recovered from the COVID-19 pandemic, although some markets ...

Sales of new productions and developments came in at €2.0 million, down sharply due to the halt in order from international streaming platforms, as well as the low level of deliveries for proprietary ...

This summer was packed with exciting experiences that connected our SVA Animation community with the world. BFA Animation students, alumni, and faculty traveled from the California desert to the fairy ...

The 2025 Annecy Animation Festival proved once again that the annual French event stands strong as the capital of global animation. Attracting top indie talent from around the world, the biggest ...

What’s happening with animation? In short: It’s evolving. The year 2025 showcased a blend of theatrical blockbusters and streaming must-see releases. Studios leaned into familiar franchises and book ...

Bonne Animation launches with an era-appropriate philosophy rooted in human craft, global collaboration, and handmade 2D animation.

Taiwan is positioning itself as a major player in the global animation market, unveiling two anthology projects at this year’s Busan Asian Contents & Film Market that showcase the island’s growing ...

THE BLOOD ALTAR, adapted from its original webtoon, has secured a spot among the top titles on major international platforms ...

Husband-and-wife director-producer team Steve Hudson and Sonja Ewers spent a decade piecing together partners and financing for the $30 million production, proving indie animation can still think big.