Christopher Nolan will be the first to shoot a film using the groundbreaking IMAX 140mm format, promising an unprecedented ...

Here’s why Project Hail Mary deserves to be seen in IMAX, especially in 70mm, a format that is unfortunately rare.

Atlas Lens Co. developed special spherical IMAX lenses for Dune: Part Three that had to meet the very specific requirements ...

I love watching a movie that's shot for IMAX. It really does feel like the future of cinema rests in large-format experiences and event movies, at least in that they will help keep the doors open so ...

In an interview on CNBC, Imax CEO Richard Gelfond seemed to suggest that the next “Dune” would be filmed entirely with the company’s proprietary cameras, but it appears he misspoke. During the end of ...

Add Yahoo as a preferred source to see more of our stories on Google. The Odyssey (July 17) Christopher Nolan’s “The Odyssey” is making film history as the first narrative feature shot entirely with ...

Add Yahoo as a preferred source to see more of our stories on Google. “On this one, it was 100 percent on Imax,” he said on the New Heights podcast. “It was the first movie that was ever done all on ...

Christopher Nolan and The Odyssey’s cinematographer, Hoyte van Hoytema, revealed to Empire that they invented new equipment so that they could shoot all of the forthcoming epic with IMAX cameras.

Imax is having a moment. More than 50 years after debuting at the 1970 Osaka world’s fair with the 17-minute experimental film “Tiger Child,” the format has become the ascendant king of spectacle.

FUJIFILM GFX ETERNA 55 (“GFX ETERNA 55”), Fujifilm’s first digital camera purpose-built for professional filmmaking, has joined the list of IMAX-certified digital cameras. IMAX® certifies select ...

IMAX is beating industry odds by courting fans of blockbusters, concerts, gaming events, and more. Inside the company's new ...